One of our most cherished books that we read aloud as a family was Anne of Green Gables. In fact, we adored Anne so much that we not only read Anne of Green Gables, but also every other L.M. Montgomery book that we could get our hands on! These stories seem to be evergreen, never failing to uplift our spirits and reanimate our imaginations.
We were recently reminded of a scene that many of you will doubtless remember warmly, and so we thought it would be great fun to share it with our readers this December. Hopefully it brings fond and festive memories back to your families, too! May you all know the same joy that Anne felt upon receiving Matthew’s glorious gift this Christmas season.
Christmas morning broke on a beautiful white world. It had been a very mild December and people had looked forward to a green Christmas; but just enough snow fell softly in the night to transfigure Avonlea. Anne peeped out from her frosted gable window with delighted eyes. The firs in the Haunted Wood were all feathery and wonderful; the birches and wild cherry trees were outlined in pearl; the plowed fields were stretches of snowy dimples; and there was a crisp tang in the air that was glorious. Anne ran downstairs singing until her voice reechoed through Green Gables.
“Merry Christmas, Marilla! Merry Christmas, Matthew! Isn’t it a lovely Christmas? I’m so glad it’s white. Any other kind of Christmas doesn’t seem real, does it? I don’t like green Christmases. They’re not green—they’re just nasty faded browns and grays. What makes people call them green? Why—why—Matthew, is that for me? Oh, Matthew!”
Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air.
Anne took the dress and looked at it in reverent silence. Oh, how pretty it was—a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves—they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon.
“That’s a Christmas present for you, Anne,” said Matthew shyly. “Why—why—Anne, don’t you like it? Well now—well now.”
For Anne’s eyes had suddenly filled with tears.
“Like it! Oh, Matthew!” Anne laid the dress over a chair and clasped her hands. “Matthew, it’s perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream.”
“Well, well, let us have breakfast,” interrupted Marilla. “I must say, Anne, I don’t think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There’s a hair ribbon Mrs. Lynde left for you. It’s brown, to match the dress. Come now, sit in.”
This selection is excerpted from the chapter "Matthew Insists on Puffed Sleeves" from Anne of Green Gables, which follows Matthew from the time of first determining to get Anne a dress, through the difficulties encountered in procuring it, and lastly the joyous giving of it. We recommend Anne of Green Gables for family reading with children ages 11 and above. Don't dismiss it as simply a book for girls. My brother Daniel enjoyed it as much as I did!
Many children's novels feature festive Christmas scenes. See the list that follows. Can you think of any others? Please share them by adding a comment below.
You may know Ruth Sawyer as author of the Newbery Award winning Roller Skates, but did you know that she also has to her credit three outstanding collections of Christmas stories for children? Well, let us introduce you to them and tell you how she came to write them.
As a child Ruth was lucky, indeed, to have as nurse Johanna who hailed from County Donegal in Ireland─Johanna, a gifted storyteller who told Ruth one story after another all the year long. “From her,” Sawyer says, “I got my love of listening and telling stories─and finally of writing them down.” Later when she was in her early twenties, she took up the study of folklore and storytelling at Columbia. Then she followed up her undergraduate studies with a couple of years of practical experience telling stories all over the city of New York to audiences of various ages and nationalities.
Throughout her life, Ruth took advantage of every opportunity to collect stories, first in Ireland and much later in Spain. In The Way of the Storyteller, Sawyer asserts, “The art of storytelling lies within the storyteller, to be searched for, drawn out, made to grow.” Next Ruth goes on to enumerate critical factors in the development of a storyteller─experience, the building of background, the power of creative imagination, and the art of selection─all capacities she developed to an extraordinary degree in becoming a master storyteller.
Each phase of the story development process is illustrated in her shaping of The Voyage of the Wee Red Cap. To craft this story, Ruth first collected the story of a miserly chap by the name of Teig and his Christmas Eve adventure from a "drab and dirty tinker" at a crossroads in Donegal. Secondly, after refashioning it in her own words, she tested it by telling it to a room full of immigrant children at a branch of the New York Public Library. Then, lastly, only after making revisions based on her experience in telling the tale, did she prepare the story for publication.
She later included this tale in her 1916 book, This Way to Christmas, as one of the six Christmas stories set within the narrative. This Way to Christmas features an especially lonesome boy named David who is stranded in upstate New York with just seven days to go until Christmas. But with no prospect of a Christmas celebration in sight, he still comes up with an ingenious way to bring Christmas to himself and to the equally lonesome inhabitants of his small mountain community, all of whom were also spending the winter far from home.
While visiting each in turn, David befriends his neighbors and delights in hearing the Christmas stories they share with him, stories they heard in their homelands long ago. He then invites them all to a festive celebration, erecting signposts that read This Way to Christmas. Through his efforts he brings all the neighbors of different nationalities together, forging relationships that will outlast the holiday season and sending a message of hope to a war-torn world.
Ruth Sawyer continued to collect stories in like manner and in 1941 published The Long Christmas. She chose the stories for this book "to lengthen the season, as many did in olden times, to last from the first cock-crow on Saint Thomas's Day to the blessing of the candles on Candlemas." And so she provides a story or two for each phase of the Long Christmas, pairing every story with a song, poem, or carol that complements it. In all, there are thirteen stories, most with origins in the Old World.
Publishing The Long Christmas in the shadow of World War II, Ruth Sawyer writes of her vision of Christmas in her Introduction, "Never before within our memory has it seemed so important to keep the Long Christmas; to begin early enough and hold to the festival long enough to feel the deep, moving significance of it. For Christmas is a state of mind quite as much as a festival; and who can establish and maintain a state of mind in the rush and turmoil of a single day, or two days?"
She then continued by writing, "Around no other time of year has been built so much of faith, of beauty. Out of no other festival have grown so many legends. It is a time when man walks abroad in the full stature of his humanity and in the true image of God. He walks with grace, with laughter, and a great awareness of brotherhood. This bringing of the world together to worship at the manger brings kings and cooks to be in good fellowship, makes children and their grandsires to be of one age, makes witty men of fools and fools of scholars. And who is there to foretell to whom the star may appear?"
Sawyer's third anthology of Christmas stories, Joy to the World: Christmas Legends, is the only one of the three not to have been published in war time. For this book, Sawyer gathered together six stories from Ancient Araby, Serbia, Ireland, and Spain, introducing each with a carol, and all decorated with striking illustrations in black and shades of gold by Trina Schart Hyman. In this collection, our favorite story is What the Three Kings Brought, a personal story from her year in Spain in which Sawyer herself plays an especially important role.
The year 2016 holds special significance because it marked the 100th anniversary of the publication of This Way to Christmas, the 75th anniversary of The Long Christmas, and the 50th anniversary of Joy to the World. Will you join us in keeping these stories alive in our hearts for generations to come?